The execution of the Roma's design philosophy is visible in every surface and component, both inside and out.
The car is a study in how technology can serve aesthetic purity, creating a form that is both functional and
beautiful.
The Exterior Sculpture
The exterior of the Roma is defined by clean lines and a fluid silhouette. The front of the car is
particularly distinct, with a design described as monolithic and an overhanging "shark nose" effect, which
appears to have been sculpted from a single block of metal. In a break from tradition, the front grille was
reinterpreted as a perforated surface in the body color, a solution that serves engine cooling subtly and
integrates into the overall design.
The lighting is a key element of the Roma's visual identity. The Full LED headlights are thin and linear,
crossed by a horizontal daytime running light (DRL) strip that adds a sense of tension and width to the
front of the car. At the rear, the minimalist approach continues. Technological development allowed for
drastically reducing the dimensions of the taillights, which are described as "jewels" set into the bodywork
volume. These linear light sources dialogue with the active spoiler, creating a continuous line that defines
the rear of the vehicle.
Aerodynamics are skillfully integrated into the design, avoiding aggressive appendages. The most notable
element is the active rear spoiler, which remains perfectly aligned with the bodywork at low speeds to
preserve the purity of the lines. At high speeds, it automatically adjusts into three positions (low drag,
medium downforce, and high downforce) to optimize stability, generating up to 95 kg of downforce at 250
km/h. Furthermore, a pair of vortex generators under the car's floor work to create a ground effect,
managing airflow and ensuring efficient aerodynamic load generation. Details like flush door handles
reinforce this quest for purity, ensuring nothing disturbs the car's sculpted silhouette.
The "Dual Cockpit" Interior
The interior of the Roma represents a significant evolution in Ferrari's design philosophy, introducing an
enhanced version of the "Dual Cockpit" concept. The cabin architecture creates two distinct and almost
symmetrical cells for the driver and passenger, separated by a prominent center console. This approach not
only organizes the space organically but also aims to involve the passenger more actively in the driving
experience, making them feel like a co-pilot rather than a mere spectator.
The human-machine interface (HMI) was completely redesigned based on the "Eyes on the road, hands on the
wheel" philosophy. The new steering wheel concentrates almost all the car's main controls on haptic
(touch-sensitive) surfaces, including the start button, the driving mode selector (manettino), and even the
turn signals. In front of the driver, a massive 16-inch digital instrument cluster, fully configurable,
replaces traditional analog dials.
The center console is dominated by an 8.4-inch vertical screen, which controls infotainment, navigation, and
climate functions. The passenger, in turn, has their own 8.8-inch screen, displaying vehicle performance
data and allowing control of functions like music and air conditioning.
This digital immersion inside creates a fascinating duality with the classically inspired exterior. It is not
a contradiction, but a physical manifestation of the Roma's dual personality: a classic GT in its soul, but
a 21st-century supercar in its execution. Ferrari deliberately created this tension between the analog (the
inspiration) and the digital (the interface). The exterior design evokes the elegance of the past, while the
interior, dominated by screens and tactile controls, is resolutely futuristic. This approach seeks to
satisfy two simultaneous demands of the luxury market: the nostalgia and purity of a traditional GT, and the
advanced technology and connectivity expected in a modern car. The "Dual Cockpit" concept is the bridge
between these two worlds, offering a shared driving experience typical of a GT, through a fully digital
interface. It is Ferrari's way of materializing the idea that "La Nuova Dolce Vita" is lived with the tools
and technology of today, not yesterday.